Confluências plásticas e intersemióticas em Água viva

Clarice Lispector's Água viva [1973] can be read as a project of linguistic resignification. For this, it is necessary to understand the context in which set, third phase literary Modernism Brazil. The movement, not only its segment, influenced by European vanguards such abstractionism (and denial, too, discursive figure text), surrealism etc., found new incorporations Latin America, resulting genuine productions were consolidated, breaking away from mimetic Romanticism and establishing mark production that incorporated elements Brazilianness. enunciation brushes up effects musical intonation iconographic plasticity address form non-form, on threshold between them, construction this iconoclastic permeated moments sometimes abstraction, figurativity. We present some keys for reading book paper.